so we’re going to start a register falsely first I’m going to talking about something pretty essential is… the colors in each other wrong it’s okay. go pretty fast you’re gonna really understand that there are people that complicate the lives of people who have been killing illustrators for years and years that gets more complicated life needlessly so we’re going to do a new document a document we’re going to we’re going to start on the formats we’re going to start on the usual formats like a 4-person format is that which is proposed here at 4 you can take to 4 landscape orientation so it’s for printing and obviously we could make a document for the web the difference is that the dimensions of the document are defined at that time there in pixels and that the color mode and r&b and not cmj, but now we’re gonna stay on the arms and on the print so I’m warning you right now format in which we work in the blood and gold matters I mean if you do a little fantasy you start from one to four and you the large and enlarged its forms has afterwards and it becomes a format of 1 meter by two or something like that you’re going against some problems because most of the illustrator tools are designed for operate on documents that have a normal size i.e. a little bit the closer you get to 4 to 3 and the further away you get… of this format plus the tools their behaviour becomes difficult to to settle because they’re close. set for normal tuning formats so a format of 1 meter by two this kind of fantasy is technically possible, but when you want to do the creativity we will avoid and in the other meaning also worked on a format tiny 3 by 4 centimeters, we’re gonna say it’s… Vector is vector is vector is vector is vector is not spikes and so it didn’t really have too much the importance of the size of the work I’m working on but yet if for the behaviour of tools and pre-settings and step tools for the quality of what is going to be product because it’s to help his mathematical descriptions whatever it is in 3 cm by 4 cm or to be put on two is to be described with points of the vectors it passes but then there’s that’s an important thing to know if you are working with this called the symbol tool, which allows you to to throw out safe graphics that allows the graphics to be thrown on the workbench typically if you are working on a format too large for your computer is gonna be super slow illustrator. is very resource-hungry. IT it’s there are graphic cards recommended by adobe they can be found on the adobe site they say they use these nvidia graphic cards or other brands processors are optimized for supplement the processor central computer system so that illustrator works fast so contrary to what one might think believe, and some people will believe and some people will say some people who have started with illustrator in the 1980s or early 1990s they will tell you, but illustrator is super simple it’s a little software it’s true that in the ’90s it was put on the machines with the least powerful in the toes in the boxes in companies is a the software that went on the machines is less powerful and the most powerful machines Powerful, obviously, it was photoshop. but that’s not true anymore. illustrator is very fond of resources then you have here the advanced options and you see that d’office illustrator offers you to working in cmjn is very bad. because it’s okay you break your creativity in a stratum hours you have obviously created shapes put more colors the more you have the possibility to put different colours and live more the creative work will be easy and the cmjn it’s really dull colors, it’s… Printable colours at the printer’s in 9 7 4 colours why start a document illustrator in cmjn while we are could do it in rvb every colors that the screen can display we’re going to be able to put them in our document so creatively, it’s gonna be okay. be easier in fact and your illustration you may also be able to print on a better printing technique like inkjet tarpaulins which inkjet team that works m of the inkjet team that prints brighter colours than this you get at the printer’s in cmjn of state this is the reason why in makes up the idea of who can do it best. least so when I make a creative document I’d better do it from the colors really a maximum of bright color if I want to now we can put on can make a document with colors land too if that’s the style to want but I mean if I want to but roast beef live on it if I’m making roast beef. manga here I’d better work in r & b and then there is a system for reduce the so-called gamut mapping which means that we’ll be able to go from the rvb to cmjn in an intelligent way there’s the color management system of the computer that’s going to calculate that for that the image cmj it remains correct despite working with less than bright colours so that the illustration is still okay, so what we’re going to do here it went to advanced options and colors and vb, so we’re going to create this then the effects of use is special effects in illustrator they will be rendered at 300 pixels by inch at one point he is possible that the computer what are taking too long for us to be forced from ask for a rendering a calculation of the effects special features such as drop shadows and beveling effects all that we can. put on the forms requested by 150 votes 72 or even 36 like that will lighten the load. the work of the computer the effects special the shadows all go appear pixelated while I works but at the end when work is finished I can go back 300 pixels per inch and export there to this or that format you’re going to see we’re going to test it out okay, so first of all. you can leave in 300 pixels per thumb Well, so I took their pain being Okay, you took the format, too. we’re gonna go look at the hockey format Well, look, this is just the occasion. Today I said I’d say that I was going to take the a4 format to be that. also goes finally you format American letters there it’s okay, too but I said that I was going to have us was going to work in fours and finally I didn’t pay attention and It wasn’t a4. It’s okay. We don’t mind. will see how we can change format after making the document so you go to activate and the tool plan tool of work here is what’s going down. you have your palette of tools in two columns will be easier and then up here you find options including here for the past four, so pay attention. to these is that the workbench tool allows you to make several shots of a minister’s job is wrong so for a while in the tractor we were working out a work plan only and then some time in the evolution of the illustrator he was allowed the creation of several work or even duplicate the plan current job, so if you take the work plan tool that you can use to started plotting you do a second shift you see and you want to go from one to each other and of course logically they don’t layer it up like this. It’s… because right now I’m just showing that we’re can make the mistake with the long tool work to draw up a new work so in this case if you have created a second work plan you can use to delete touch pressure here it is appeared at the time that illustrator has began to be used to make web interfaces so we have several work plans we may say that there are certain elements of the club first steps a job that are host reports had automatically on the following therefore to make web interfaces Okay, well, once you’re in a 4 you can reset the arrow black then you can try this you go get the geometric shapes when you enter the menu here and if you go to the vertical bar that is all the way on the right here. It’s gonna be… detach you will see a pallet floating at menu level is very editable this tale administrators then no one told me that you had the palace of the different tools than mine infects apparently you don’t have as much tickets me that appear you have the reduced pallet because you are in the 2019 version and that adobe is trying out simplify things so here’s apparently the reset that I’ve taken turns taking turns at the time did not reset the fact that the tools he might have I had to go into window space of work resetting the essentials and by that time I might have had the range of simplified tools such as you yes indeed there are many fewer tools, but you have to say it when it’s like that when you see something… that doesn’t fit into this is several versions that the illustrator and fully editable according to his personal needs function confers certain types of each other’s work the other’s completely modified version is delivered with the 2010 version does not the more they brought that notion eastern toolbox personalized, so I think it’s necessary go on the three little dots here and at that point you’re going to have to go into the menu that appears in the top right corner and asked to advance all the parameters advanced and there you have the palette glorious tools two illustrators the whole thing will be better for us. so I’m telling you right now ti perspective rice perspective when you turn it on, something’s going on. weird go ahead and try it, so I’m trying to already de-mining the problems that the east all beginners could have in illustrator when you switch on the tools grid of opportunities that allow for perspective drawings as his name the indicated is that there are different flus perspective there is a perspective to two vanishing points there’s three points of him that has it. a vanishing point we can move the Things are controversial. there are those who say it doesn’t bring not much finally acquired is worth do things better directly in 3d It’s not really. Maybe it’s not really. some people have a use for that. in any case whatever it is finds that when you activated this tool you have the respective crypt that arrives on the workbench and when you come back with the arrow tool and well the rest of it, and that’s still very tedious to get out of it you need quit illustrator and restart it if you don’t know the trick is that you know how to get rid of this grid of perspectives, not those who already know some illustrator because there are good ones in principle there are a small Mauritian guide which allows to indicate on which of the faces we work good three times that because it’s scheduled for three points tweet even though we’re only at 2.6 and in principle if you click on the arrow here and on the cross, I mean if you… click on the cross of the 10 mo the flu perspective goes away except that it works not it is absolutely necessary that the grid tool prospects are set in motion, therefore reset the flu opti perspective click on the cross here the flu perspective that is sure they were on the countertop goes away and you can come back to coffee, so it’s okay. It’s bound to happen to you. It happens to all of us. those who start in the chandelier wrongly this grid that’s coming up, we’re not getting there. to make it go away to them in vain, but to see what I said we were going to do, we’re going to do. is going to get the creative tools geometrically shaped of course we have the pen that allows us to make all the shapes we want, but These are the basic tools that can while others all the more hear serve here we go to the vertical bar and we have different tools, so of course when you see this tool in the hexagon actually allows you to do polygons two to three sides four five six up to a number next to each other infinite it becomes a circle at the end so don’t think it’s to do hexagons simply to those hexagons wants to make triangles with this is… possible the same thing for the canvases we can make stars that have aspects and number of branches of the dikes of the distances of the two circles of construction of the canvases can be different here is the rectangle tool round we’re not going to use it. It’s a… early release residue to illustrate that it’s like any other adobe software and tools that are out there that are rotten but we’re just don’t let what the elders users may be using it yet they haven’t updated their knowledge when you want to make a rectangle out of What’s a roadie we’re going to use the right corner rectangle and apply to it a rounding effect a special effect rounded off or because this is still an old-fashioned way of doing things or use the interactive rounding that is a new way of doing things again so there are two ways to do it niangne there are three ways to make rectangles or squares with corners round up the way to y here because that they do at brushard’s audition done. you can change them more easily these are artwork that said it’s not dynamic, we don’t know how to modify the way with the special effect of options rounded and then the way with the interactive rounding hockey and ben just draw a rectangle on the work plan voilà well the rectangle you can change its background color and of contours it is selected of course it must be selected six Auxiliaries of the refectories next to it is no longer selected and you don’t know the more it modifies this principle of vectorial it’s like in indesign you have to indicate what object you are working on so with the black arrow where he must be activated you have the possibility to modify the contour are currently doing so obviously the rectangle, but it’s coming with black outlines by default and a white background so you’re going to say but white background you can’t see it because the bottom of the page do so from the plans of the work and white must fade out of the plan is transparent, but for because it’s tiring of you… show chequered transparency by permanence illustrator shows you the transparent background in white test this go to the menu display is requested to display the checkerboard of transparency here you see we have really dealing with a white rectangle with a background black an outline margin to say a background white and a counter Here’s the checkerboard aspect, okay. transparency can be changed if you want to work when you see transparency because all of you I works for a lot of the things they do. are white, which could be interesting there is a possibility to go and modify its giving up yes, it’s different from what’s happening passes in the other software here in photoshop it fixes the preferences of transparency, and once you’ve set the way my transparency all other documents appear The following will appear with it transparency here the setting of friends and transparency is specific to documents once I create another one. ultra torso document and this fire transparent rotten transparency that will come back then in document format files document format files you have here the options without transparency and we can choose colors medium grid is great Okay, here we go. We can even go back in document format files and in in addition to choosing a large grid of medium color we can go to so that one of the two colors here looks more like the other one I’m leaving here. on it and I’m gonna go over there and do a little the other is more advanced since the other is more darker and darker as you go. as you go along, you can see that you can make them. closer together visually that kind of thing now is a little more visually acceptable that hurts less in the eyes, it’s a little less the better I think, anyway. Anyway here is if I create a new document does not show just display display the checkerboard of Transparency. That’s the old one. last trophy makes sterile is for that at some point it’s going to be It is interesting to see that the start when you make a new document the document of initially you can change it you can modify it you can modify its characteristics so that the last transparency directly when I create any new document in the strata or it is a good to go transparency correct the palette contents colour chart contents pallets of shapes and so on. it’s personalized for me, so we can… modify the original document by simply knowing the trick is knowing how we do it and for that I think I should in the preferences general use the old interface to create beautiful documents and to this at which point we have the document profiles the types of documents that are accessible and come here there’s none. evil that I actually created myself they don’t come with the illustrator so you see that Technically what we can do is edit document profiles I is going to interface back here to creation of new documents normal so as you had earlier… we’ll come back to that later so display beautiful souls there is transparency to the wines hiding it was just to see that louis indeed other objects and white and the background isn’t white seduced him. Transparency Okay, so we’re gonna go in here and put some different color in the rectangle so the selected head rectangle of course then of course if you double click on the sample here you have the possibility to go and choose a color you put on the rectangle the same for background one for the contour I mean I come to do these funds but on behalf of or reject also double click and control colors here I click next to see what it looks like yes, we can see that he’s there’s an outline that’s blue is what I had chosen, but if we’re going to see a little the more this outline we’re obviously going to thicken it then to thicken it is this that no, we don’t have on top of the options that appear then let’s see a can go a little bit in the windows menu and look for the control bar if it doesn’t already show up at my house does not appear but I think that at you it appears perhaps the bar control this bar which starts again in functions of the active tool and ski and select offers you some things you have, including the thickness of contour which is here okay she was already posted at your place okay it was my home that I had taken from the display doesn’t know why otherwise we also have the pale and contoured menu outline window its part is of back and much more complex than it doesn’t look like we know how to do things that we don’t. bad with it is enough to ask display the options you have a lot of things here including arrows for dotted lines we can make multiple cases that can give the impression that one of the things that is that they walk into a… hole and comes out through a hole now what kind of shoe is this? of things, but at first she seems simple enough but it doesn’t have the contours we could have also done it appear by clicking here on the word of course it’s that we can see that it’s often like this it’s hyperlinks that make it possible to show the pallets this is the contour palette that appears corto ticket well then the the way the colors were chosen there Isn’t it great? Let’s see, let’s see… make a second rectangle here they are wear the same colours Okay, go ahead and do a third one at site you are there what do you want as saints there’s no problem, so… these are the colors were chosen at the photoshop way by double clicking on colour samples are very wrongly in a chandelier and in indesign also don’t do that in photoshop ok but in illustrator and in indesign it is worth better use the colour chart then done appear a color chart but the windows colour chart then a colour chart there is one one also in photoshop of course and you can use it, but we have less the habit of using it in photoshop the un in heaven celebrates the colour chart in the photoshop to use it on all those who make comic books that use it because it enjoys a range of tones for the skin colors they have a range of tones for the colours of the clothes of the losses of their characters and the colour chart in photoshop is useful to them but we usually work with photos in photoshop one modifies en masse colorful pixels different and half old greenhouse – on the other hand in illustrator and indesign it’s really going to come in handy so that’s a better color chart to come up with. directly with colors that are who they are in the definition of departure documents on document cmjn of departure I remind you that we started with a cmg document but that we said that finally it has to be rvb look under the title bar it is well indicated rzd we work in another human she was dreaming all the colors that are there are cmj and our parties are defined by the denim scene because yes, it’s as in indesign. an illustrator document can contain both types of colours at the same time from the 6th floor rvb are coming to check it out. a little further on and we’ll interest in register really expects work in an rvb document which won’t prevent it if we want to master it. here and there a color these sums come eventually, so that’s if we hovering over tooltips tells you that they’re all different colors, right there you are have what we call a pattern or will see how to make patterns obviously make them use them yourself patterns that will web them from the version c6 there is a pattern generator which is very interesting never does of patterns before the ccit version of the illustrator to the cs5 version all That’s rotten. That’s much better. to invest c6 and the following versions we have groups of colors that can to be used to modify illustrations for testing colour applications that’s pretty awesome, which is to say that… in the wrong chandelier you can make illustrations with rotten colors at first it’s not a problem and then later you’re going to modify colors or even where to test were going to get a lot of groups of colours like this harmonies of colours and apply them to your illustration and some time at great, it’s his colors right there. it’s my administration if the colors don’t arrive every good things you’re going to be able to switch them and and test them, so the creativity is testing and choose the that’s being creative is that if you so you think you’re not very creative know the illustrator can help you with colours especially because being creative is also make choices what it means to test something and choose the best and then from its variants rhj leisure new the better but little by little like this you’re heading towards the much better what not everyone is a god of the color anyway here in the class there’s no one that’s my opinion a god of the color who has that in the skin knows why because you’re all boys this in society that they are strong for the colors are the girls there they have it may be in the palm, but it’s still may be working that some popes and where they are already used to it, we will be able to choose the right colours directly when it comes to illustration why don’t I say not okay, so if I change the colors of the rectangles I know that I’m obliged to select all three given that you saw what I did, I did. makes a selection rectangle 1,4 and black selection rectangle I have include, even if only partially, the three rectors who are all three selected because they have the same background color attributes is back to the tool palette me show the right colors and then I can go double click and modify yes that step change background color changing the color of the protector works ok we agree, but if by any chance I had a rectangle that had colors different so I’m going to apply with the colour chart here and that it is selected with the first three but the palette of the tools it indicates you a point what in illustrator means you have objects with multiple attributes there are among the objects selected there are several different fronts there are several good different turns Well, okay, I’ll delete his rectangle. so yes we can if we can change the colour of several objects the select and double click in the tool palette on the colour chart of colors but it’s not great there’s a lot better than that, so this we’re going to do is use the color chart here so here’s the palette of tools that might be we displayed the samples are tiny to them, so we’re gonna go to the menu of the palette la colour palette I mean by the and tools the pallet nor also I have to say it, you know, I know I’m… doesn’t always point out the nonsense that I say no, I’m counting on you to tell me so in the colour palette the sample his little one we’re going to go in the bait and switch menu for the creditors we’re gonna go ask for large display thumbnails if we needed to see the names of colors we would have been asked for. display by list of great dit niet but in this case if yes, in addition the names it’s often the least we’ve done… the colours themselves the often stated values chromatic which are indicated therefore list of large thumbnails not displayed not grown up is good, it’s better. so here’s what we’re gonna do is… we’re going to change the three rectangles of a so you selected the ones we prefer. so how did you do it, since there’s only that on the workbench comments enough edition all selected and you will apply a colour you are testing apply a background colour you need that the scrapyard is at the forefront… of course to apply a color of background and then an outline color you can put the outline box in the foreground and you apply the skin tone that’s the trick, but you can also do your own colors so we’re going to do a color aperribay while you’re at it since it’s all about the colors of the world. we are very limited in terms of colours then those who know a little illustrator and computer graphics will say you still like to use pantone colors well yes there is a colour chart with 700 pantone colours it’s also a possibility they are already a little faster than the cmj is good. we’re gonna make our own colors, so… go to the menu first what’s in the menu which I’m modifying here I’m going to modify the the bottom here is the bottom box must head in foreground I go to the color palette I’m going to make new nuances rvb-type nuance and you’ll echo in them the global option in indesign when you create a color it’s automatically global, which means that when you are going to modify by the the colour in the colour chart every objects of the document that weave and colours will change from a register to wrong it is necessary to ask it that the color is global, which is the only link between the color of the color chart the objects so and you create your overall colour and colour when you found a color that boots you you can change or modify its luminous intensity you know how I want us to… changes the light intensities of the super better that I found there the make darker or lighter test but in all the adobe software you press the shift key and you move the sliders and it changes light intensity All right, I’ll show you with another perfect color then this you know what this is. told you that the color is too bright to be printable as it is the offset organs of the scare but it’s okay because I’m gonna can be printed on the more inkjet performance this I’m telling you that you can transform to a hexadecimal color Does it mean anything exciting to you if… wrong yes what is that it’s a colour definition with three pairs of letters or numbers so that makes 3 3 x 2 6 exor hexadecimal exerts to come 6 and it is an old technique when we wanted make colors on old sites web colors web colors we use this Hexadecimal definition it’s not done more nowadays because the computers are powerful enough and the web-based and fast so we define in rvb most of the time the unhealthy exoticism can be of the past that is a cube because if you’re a little interested in the example here badly you’re going to see that it’s built in the form of a cube is Interestingly enough to think about creating the colors here how these letters and its number this secret game if you make me think I’m gonna find you a little demo on the web about this topic at last little Doesn’t matter, just talk shit about it. because it’s there and there you are might not know so you might not know about it. don’t worry about what to choose your color as you like ok here we go then for the contour we’re also going to get pick a color we’re going to do it new global nuances always ok perfect then the two colors that have this characteristic of being global on the little triangle down there on the right in the color chart write file especially for these days Okay, here, I’m just gonna call him Exercise 1 I’m going to put some exercise in 1 here and the c version is king it’s the first one registration of this exercise not the format then at the level of the when you’re going to arrive in a box a company and has people who have been here for quite some time at the graphics level they are ten fifteen twenty years old from experience they’re going to talk to you very regularly from the aps format to the eps is a format that was used to do the layout about 15, 20 years ago. of years in one of the 90’s because it’s a very small size actually it’s a format which is characteristic is that it is composed of several parts there’s the part and the very heavy file it could be an image that comes from Photoshop it can be a file illustrator and next to that there is a small low-resolution thumbnail at rotten colors we use to put it in the layout in fact it’s severe of the conche charge. in the layout is obviously after we finish the job when you make a final file when you print that’s not the little vignette. for ikea used is the real files. high definition send so this is the ep is a system that’s pretty old. but we’re still going to tell you sometimes you must provide an eps file is this that it is and Victorian where is it It’s spiky. It could be both. since I prefer the photo of the ps illustrator can do 2 the ps to ps that means postscript encapsulated the pot script is the first his first adobe products in 1982 their first product was how to make communicate software with a black and white laser printer at the time and it is a language of page description it has evolved different versions Used it a lot for a while, but then it mutated. it has become what we call the pdf. which is actually a pot script with possibility to see the post rip in a acrobat software so the pdf and the evolution of print is going fast, it’s going fast, it’s going fast, it’s going fast. say outlawed encapsulated means that we can put in a vector document of the illustrator in fps you can put a image to the ps which itself may contain other things not let a little bit of the Russian dolls, what if I told you here is because it’s not for time for fun you’re talking about old stuff that doesn’t exist that are almost no longer in use is because you’re going to meet people sometimes who are going to tell you about it and you demand files to the ps so if I record the illustrator file in ps format rather than in illustrator format it will be the same thing here, but there is no reason to do so we’re going to record a cabinet minister wrong here we can export in pdf which will be readable by anyone who doesn’t have an illustrious wrongly installed in his home obviously these principles are great that take acrobat reader free it will be able to see your file that comes to illustrate the feature here is that if you choose to save as a pdf file at the start of illustrator game can check off an option that includes in the pdf the illustrator file i.e. when we’re gonna reopen the pdf of the register wrongly everything will be changeable like it’s an illustrator file sailboats, but it is necessary to ask when we choose this and when we then records it’s his keystroke is of the heaviest, of course. valiant svg is for making images for the web You know the svg. Yes, there are some. know it’s to make new vector web interfaces do this is a plea is just documents at the beginning illustrator good I’m lingering not too much on that because otherwise it’s i.e. place so format illustrator celiac we click on register you have a box that appears at a this is where you could if you want to make the document compatible with older versions of illustrator why but because especially when we do 3d or for some laser cutting equipment cut out cardboard or Plexiglas or what or laser they need an illustrator file who’s not too advanced for old illustrator files and that’s where we’ll be could say yes, okay, we’ll get them. provide illustrator 8 or of illustrator 3d beyond the end of the 1980s there’s no reason for the do backwards compatibility if there is no if there is there’s no need so let you this way here it is ok we can click on ok you saved files as that you’ve been a little bit conspicuous as we records and an illustrator file Of course, maybe me as I am in indesign or in photoshop remained vectorial so it can be imported into indesign photoshop or whatever it is he’s gonna do. remain vectorial then more global colors if you’re gonna be able to, as in indesign change the color and it’s going to throughout the document when all images it can be a system for making tests you made an illustration and khoury colors but they are all in all, it is found in the file you’re going to be able to double-click on the colors and I modify them and see what happens. everywhere in the illustration when I changes this or that color so here with the black arrow you clicked on the side nothing is selected and you go double click on one of them colors and you can see that we have the box you’ll be able to hang it up and move and you actually see behind how it looks our color then if you have created from colors that is not global we can still turn into a double clicking on students for example this one sees the fictional double game can check global modify it ok it is become global, it must not have become not already used on objects what is a means of art is applied if it is already in use on objects you can bring I’m going to vote. We’ll talk more about it. Late, that’s because it’s true that it’s interesting if we forgot to make the ball colors at the start reapply the color make the link with the objects to be washed the interest is really great is that it’s this possibility not having to find the good colours directly into your posters in your illustrations do the test none of the objects of a is selected ok Well, let’s see if you know how to make shoulders good side you still have the place if you don’t have room you’re going to see that at some point we’re going to can enlarge the our god because in fact here in illustrator we’re starting from a4 format here and it hasn’t Doesn’t matter. I can enlarge it. offered an a3 format finally to grow because in order to finalize the work to see it carried out in indesign and reframe the part I’m interested in… so technically with the full tool work we can take the wrists and enlarge the format if necessary but in this case there is still room normally then you’re going to take the star tool if you click all simply as with all the tools of creation clear geometry that you that you asks the inner radius the radius outside the number of points that you want on your star I’m not cancelling what I’m going to do. manually I’m not gonna dwell on it too much. because it’s something that you probably already know click-and-drag you have a star with it while you have the mouse pressed down with the arrows on the keyboards you can set the number of and that’s where you get a triangle if you want with the bar space bar there. with the shift key you can even the to constrain on the same axes if he’s got like this here’s five spikes here’s with the shift key or the constraint offsets with the alt key you have the typical star like that in plus one chord the alt key you but the star at the end with the roofs here they are we know he was handsome and okay. then with the mac command key or PC control when you move move the distance down between the two circles of canvases it’s the mac command key controlled pc no key is the dimension so there you all saw the peak number with up arrows and down on the keyboard the controls for the star aspect there no keystrokes and move the mouse to the dimension and the shift key for the constraint of soda on the axes on let go of the button and here come the canvases arrives perfect know that I met people who know illustrator who didn’t know that this particular tool was used… to make hot rod stars in a different way with five spikes or those with five points. was used to make polygons in a different way than with psychotropic, so sometimes I think to myself. even the stockings are worth it. call back Well, then we’ll color it in. to this star look if you click next to nothing and select you have the possibility to move the colors if you want to here if I want to change the funds need to be scrapped. are at the forefront so we can drag and drop the drag and drop on objects in illustrator, it’s no problem if it’s you boot don’t do it like that for that matter, we’re going to create a color especially the global one for the bottom one color for the outline so we’re going to teeth colour chart new shades global here we go and we’re going to make a very vives so to make a bright color but you must have something pretty Contrasting at the level of the two cursors cursors that are pretty good and the third who’s more like you go to one of the three primaries to one of the three primaries here you are at last see it when it’s living the way awesome right here on the screen Behind me it doesn’t show what’s behind me. certain spotlights that tend to tarnish everything, and when I talk about vibrant colours people see dull colors, so… The projector’s fine. It’s fine. It’s okay. and I can go drag and drop it works too, so I did a new colour also for the contour time that at the global level always and I drop it on the contour, it should go. No, it’s not gonna why he’s gonna I’ll have to bother contending with the foreground yeah because around in the foreground sometimes I think a little in indesign illustrator typically in aligns a star with colors Let’s record it. document you can never be too careful I propose you to record in regularly changing the no there I want I change a crémant happens in version 2 then document rvb so possibility of May bright colors if you had chosen a cmjn document if you had not modified at the time of the creating the fact that it has to be a dream and you’d be in meltdown mode transparencies cmjn so we’re going to change this files mode files that rice document metrics go ahead and choose its colors cmjn look what happens to cuts your bright colors on the screen when you switch to civilian colors they tarnish you are in the range symbian it’s not that, it’s not that if you come back to hervé to give me your la rvb color metrics not coming back you’ve lost all faith in color vives so what you need to do is cancel. as in z once twice you have a draw and the two passengers two changes from baby to symbian then celgene vfb So that’s what it’s all about, isn’t it? It was going to be in cmjn. It’s got consequences. at best in terms of colour Well, then, I’ll duplicate the canvases. we’re gonna do this you’re gonna take the black arrow and with the alt key you Go move it. We’ll put it on her. certain colors wanted to make colors come email again so it’s ugly, but it’s the first one. test in fact you have to understand the madman the country to ba2 illustrating the basic functioning because after that creates problems if they don’t understand not the basics, it’s a little grammar. of the Russian illustrator then there are possibility of an illustrator to do of transparency you can return an object of transparent, and for that we’re going to go look for the palette transparency money transparency window one can also make in indesign other than that, but it’s different. teams that develop the software at adobe are derived from historically sometimes from boxes different according to the buybacks that adobe made some boxes and so oddly enough when you want to do the same thing in different software if there is no consistency you won’t have a pale and transparency in indesign it will be necessary to in the effects palette but here That’s what we are. That’s what we are sometimes. they don’t want to be obvious when we play we juggling several software is to find each other every time we is in the pole and transparency you Here you can change the opacity of the object but also the ability to change its mode of fusion so I’m leaving 100% opacity. that I modify I pass to product by example here are products or something else we can see that it improves It’s all right. It works. Well, maybe it’s time to ask the question. [Music playing] you might have a question which is and if I want it to be just the contour that is transparent or only the bottom and not the contour of the star yes it is possible you know how to do what they do already wrongly know luster there I will put back to normal there’s a certain moment I show you how to choose the merge mode with shortcuts keyboard that I think we’re going to have to create the what not seen also those play and this with the roulette wheel once you don’t even have with the roulette wheel at above you can review the Fusion words are working, so it’s going good. I’m going back to normal if I want me to be only the bottom of the canvases and not contours that is transparent those who know illustrator say me how we’re going to do it. good a mask and not matt did well to It’s always nice to come when someone who knows the software learns things after all from the first class, well, we’re gonna use a of the most important pallets of illustrator and those who have studied illustrator a long time ago those who are accustomed illustrators who have the 90s or early 2000s did not don’t always know her because we don’t always doesn’t update them with his knowledge That’s the problem. It’s the pallet. aspects in the English version is the palette will look like it’s going to go in the menu window aspects we will work a lot with the palette aspect because it’s super powerful the palette aspects it’s been a revolution in the story of the illustrator then your object is selected Oh, yeah, there’s one thing that’s kind of annoying… when you select the object there is a selection framework that arrives every times around good if you go to the display menu and you ask to hide the selection you could not see this frame you select one or more objects attention I said hide the selection frame do not choose hide the selection contour because that this is not the same thing so if you want alesi is done hide the selection frame in the display menu here and from there when selecting an object or several we see the points of construction no longer sees the frame turn I think it’s much nicer for you to see if you prefer bread the frame of two selections that appears may be interesting because it allows also to resize by taking the wrists, but otherwise I’m told manual processing is nothing ok done ch black no selection frame it was just a little digression because I wanted to say it changes the operation of illustrators and so what do we see here? you can see the outline and the background of the object and you have here the opacity as have clicked on the pallet. transparency that happens when you change here to the place where the two Stars overlap, it mixes. differently is what we’re here to do. just before made by going into window transparency, we got the same palette there. so I’m going to put back abnormal normal if I only changed the fund transparency I’m gonna have to deploy here and I find myself back in a opacity hyperlink that will concern only do so, so I can modify transparency here you see the blue contours remain untouched by against I am changing the transparency of false jump or its mode of fusion Okay, well, in that case, I just want to change its transparency here is you’ll see it’s very powerful here. palette aspect because you can have lots of different funds on one object which combine to form a very contoured combination different from the special effects of full of things that can be very, very, very powerful and it’s kind of like a we. may consider it a bit like a small palette of kalck that concerns the backgrounds and contours that are on an object we didn’t have the decals on. for the different objects in a register wrongly, but we also have the palette aspects for an object how the funds and the contours combine superimposes combine with effects of special effects fusion that keeps them away for towers so that they return to the boarder objects finally a lot of things that’s when I didn’t want to say it’s… something that I’ve often spent where I say them, but I know them very well. the three photoshop softwares indesign illustrator That’s software I practice. for a long time photoshop since version 1.5 illustrator since version 2 I think Well, whatever, so whatever it takes to to tell you that I am very familiar with the God knows why I’m telling you this is… because I’m gonna tell you something that may seem very stupid and therefore I’m trying to sit down make you understand that I’m not a amateur who’ll say anything I say tell you one thing, it’s that on the level complexity and illustrators and twice more complex than photoshop we have tendency to think that the most complex adobe photoshop software, right? at all he’s a pretty simple illustrator much more complex because they are small objects with so many small adjustments and problems can arise from everywhere and to be able to detect where it comes from you really need to know the software to be able to detect Doubting problems – a design that can be six times more complex than photoshop because in a design we could Also, yours is to make the pressure to make small brochures well no they design can serve also to make applications for interactive magazine shelves for tablets and smartphones it is necessary namely so it’s very complex and indesignificant. so contrary to what one might think believe illustrator she is not the more complex far from it I mean photoshop is not the most complex it’s simpler actually t3 to In my opinion, it’s my personal opinion in his game everyone has his own idea about the on that then recorded the document so everything we see here is going to be used for do an exercise afterwards you go and see if you’re going to be able to to have fun with perspective drawing no not in prespective in symmetry in illustrator of the drawing also misen direct symmetry you will draw a part of the object or face or the animal head doesn’t matter the other part will emerge in time… real on the other hand, it can be practical because if you don’t know the system and we’re halfway there. and then we duplicate in symmetry we are we find out how it looks, it’s not gonna be okay. it is better to interact with the symmetry, and while we create the key water so in indesign you also have the transparency effects but you will notice when you test this in a design only when you go from that the metric rvb rice in the colorimetric cmjn it only influences the parts the part where the objects are overlay the part where there are look-through mergers here it influences everything, so I have to cancel of course if I went to cmjn I do out of passion we saw earlier in pellets is… so that in it in a design you will have something called space of merging transparencies instead of document color modes then a document a baby like this if I want a cmjn version I’m putting it in. indesign I make a pdf export cmj m it’s like that we’re gonna get the cmjn version of the document then see the interest in rounding up you will select the black arrow takes learn how to make black select one of your rectangles here and in the special effects we’re going to go put on a special round effect so before we do that, it would be perhaps interesting to look at the aspect palette while your rectangle there and select your palette aspect you have the wrong tour where the funds that are specifically selected you click below nothing is specifically selected All right, that means we’re working. especially the object that is currently selected you’ll understand that from the importance of basic operation of the palette aspect therefore the object selected and you clicked in underneath possibly there is no background an outline that are specifically selected we go to the effect menu special round we’re going to go check off the preview box and we’ll change them here so what you’re noticing is that that the construction of the rectangle remains in place we do not change the geometry of the rectangle it always has corners law but what does it look like is rounded off thanks to the special effect hockey and then as soon as you have click on ok you have the special effect That’s super important to understand if don’t you understand that you’re going to get problems for the future you have the special effect that has been applied to the object that appears in the aspects palette and if we want the modify it is necessary to click on the name of the effect here rounded I check the box overview and I change why because if I didn’t make fun of the aspect palette… I’m thinking I want to change their said I’m going back in. special effect rounding it makes sense [Music playing] illustrator you but a message Careful, you’re going to put a second rounding effect on the object and tells you to change the selected effect double-click on its name in the aspect panel so watch out for that for modify an effect that has been put on a object one does not return in the menu it is in the palette of aspects on the modified by clicking on the hyperlink here there you go. Okay, I’ll pick another one. here is always the aspect palette that is there notice what happens if by chance you activated one of the contours or funds and if there’s a second round is a fund, there can be lots of them. Fact 1 means you’re going to applied the special effect specifically on this, then try to activate a rectangle with the black arrow active and specifically an outline for example went into rounded special effect Here you see what’s happening on the fund does not undergo rounding there is that the contour that undergoes rounding hockey and the special effect or is it that he shows up earlier we had the rounded line, but you have to open the around here and he’s here and if I go around change the click on it of course that can be interesting, but you have to know what we’re doing then it’s very easy to get them to act especially the object just take round it off here and move it underneath. or above yes above here and there he is in outside the contour it acts mainly the object perfect so here we’re using basic geometric shapes to make of tests you should know that illustrator now makes it possible to make illustrations that really have a side natural we’re moving away from the geometric side. because vector no longer equals geometrical now that is to say that we can start from shapes that we have drawn on paper with ink photograph them or scan them, and vectorized them transform them into a vector it’s used in minister is wrong you can take photos and turn them into as a reader you can put effects special paper-like appearance really natural, so just be careful we don’t is here making shapes geometrics is clearly vectorial but illustrator now this allows you to do more than that right, so… ok Okay, third rectangle, so I’m gonna select with the black arrow so you’re telling me that you see the little balls of the dynamic rounding Well, I don’t see him anymore unless afterwards. having selected it black arrow I Take the white arrow. There they are. little chord balls appear maybe this is the pattern. Maybe it’s the pattern that needs a Whatever, so that’s the rounding. dynamic if we take the round he’s got one of the four balls, echo, we’re moving, but here we go. that’s another way to make rounded up one rounded down one rounded up one rounded down one corner but of course that’s what I’m doing. watch and I’m turning it all the way back on so there’s more rounding with the arrow. white we have access to certain points only objects, so for now I previously used the arrow black so all the dots are selected you see they are not hollow when a dot does not have a small hole in the middle that means he’s he’s he’s he’s selected so I am obliged with the white arrow click next to it and then come click on the point that I’m interested here he is selected he is not hollow and the others are raw… are not selected and now I have rounding it off to do only on this there it is so I’m going to cancel showing you than with the white arrow we can also include dots and it could be on the objects complexes that I can just wrap my head around like this. dozens of low cost and change their rounding, and then we’re gonna be able to take any of the two rounds and modify both strike points so this could be interesting. has rounded dynamic 6 to a certain moment if at some point these little balls annoys you because you’re don’t use and each to select an object they appear they can be remove from display or widget hides the angle, so as soon as we Do that, little balls. no longer appear and we know that they are have of course changed logic so these widget displays hidden language because than she does when you have objects complex you select all they have dozens of points you see little balls appearing everywhere it’s really confusing, so it’s… Interesting that we can remove it. of the display if you want to temporarily so here’s to the stars that you have done the same thing you choose to do whether or not you want to round up by special effect effects rounded it goes retell it from every angle in this case now if I’m going to argue that I’m certainly going to argue that I take the widget with the little balls but here you can round out everything it’s possible here and it appears in the aspect palette if you don’t want it anymore we throw it in the valley’s wastebasket. more ideas here so that means that when you do an illustration you can make angular and then rounding off. with special effects on the other hand, to make the rain make rounded things and making them aim at the it’s gonna be a little harder so it might be interesting to to tell each other I’m being yelled at at the start and then I round up here and there. differently the different objects I test so I’m going to show you a another type of rounding is in the palette contours so made apart from summer window month outline callers contours you have here she calls contours with the options plan to release and there you have the angles and there he it’s all about doing it right on the end here. from both angles if you want to see them. also there’s some rounding off okay, so I’ve got not using both techniques we’ve seen previously I just asked to get some angles on can also see kisses is very old in the force strata to those a very, very old method for round corners ok alas, I’ve come back to angles Ravens just showed you this. There you go. you’ve been stockpiling all this stuff. it’s the power of memory when you’ve got is working in its software to get itself to remember that even though it’s real… I don’t know where it is anymore, but… there is such a thing I’m going to see on the web google is my friend how do we do that in such software and then you came back and you got the tools you need then something I’m being asked often it’s what it is that this limit is what someone knows very old also in illustrator late date of the first versions then shows you there I have my whole star that is selected with its black arrow I’ll take the white arrow to the passage we’ll see some time at What’s the white arrow for plus it’s when you have group hierarchies but that’s not useful at the moment. white arrow I click next to it I Come back to one point. I’ll modify this point. the trick the others are hollow do not change that one I’m pulling. I get arrows that is, angles here because I follow with the option ang lee century options I meant when we and two others there are more than notion of flexing it’s very long it’s very long between the point so the actual point of the vector construction of the shape and the bent boulevard city that appears it’s huge and that’s where we can limit we mean yours when I have very acute angles in a shape I don’t want the arrow and a longer length that twice the thickness of the thing I is going to press 2 6 keys the tabulation here I was staying with two, so normally if I go to the limit twice, I’m not going to get never an arrow that is that exist if ever the of twice the length of the thickness you will see with the white arrow… we’ll better understand I… resume the white arrow I’m going to move the point here a certain time the spike should reappear have repaired not so much if at times the repair she’s bound to it as soon as she goes to reach twice the value of the thickness of the line she’s going to cut. Here’s what’s happening here. Yes, it’s happening. in these areas so let’s see us take the sax and the arrow I’m telling you this because it can be useful and often this schemer wonders what that this is the limit. Actually, yes, it is. here they call it the front end and After that, you’re gonna see this, too. in other software this notion yes nothing to do with arrows here that works on unclosed features the very care to close well, then there was the question but as an illustrator, it’s finally used to what’s that compared to photoshop what’s that the difference but illustrating me I would say it’s to do some graphic design of graphic designers who look like graphics that is not an attempt to make the photographer isme chances it’s really out of wax and graphics. it’s funny that there’s a graphic language is a reference to an era of different graphic design each time and I typed here adobe illustrator. just googled me and I went through part images and this is what I find so it’s extremely varied what it is. is possible to refer to the far west on stage here for those who know what vectorial is, it’s the pl here we’re in more complex but will cede figini infiniti designers which is the illustrator’s competitor and sector infiniti designer if you want me not to be here to do the adobe advertising so if you want pass affinity designers to some times it costs 100 euros or even 50 when they’re doing promos, I think, and… it’s a perpetual license that you have it once and for all illustrator it’s going to cost you some tens of euros each month because you have to take a pack with other software so there you go, but it’s transposable one. times you know the trader or could transpose into other software what you’ve learned, I don’t think wouldn’t recommend inkscape software open source kim in my opinion is not so but the products of infinity are cheap and they’re efficient, but there’s other sources you know of at guimps to replace photoshop inkscape to replace illustrator scribus to replace in design all this in my opinion it’s still a level that’s not not very high and not enough for do things really professionally but that’s just my opinion so here’s to the level of possibilities in a stratum but it’s really very very large them it there’s no doubt you’ll learn there once you’ve got the tools you need to different styles as you want us to. can make photo realism also of wrong-footed boors, but it’s not Extraordinary, I mean the approach I don’t really see the point of it. is more like what we do at the airbrush what we used to do to the airbrush in the 1970s from Hyperrealism. See, it’s possible. with degraded nets in illustrator it is possible to do for from an image we transform it and we do something super clean that Looks like a picture that’s special. it’s part of the illustrators I really don’t advise you to first of all You’re really gonna lose out in the meantime. there are no two there are no market demand for vector photorealism here’s the idea is to do things quickly what it takes to get things done quickly is to have fun having expressive things to come so we went back to our document here there are certain little things that I need to talk to you there, especially the les effects of calculating them and therefore makes menu effect parameters of the effects of pixelization of the document, so when you had created another document just in time we had the choice of levels of of pixelation effects you remember you kept it at 300 pixels. per inch and we said if a certain moment to the illustration becomes complex you’re gonna want to cut back temporarily while you do your illustration and after leaving once that it’s over has gone up the ladder. precision in the rendering of effects but we Go test it out. It’s a little bit here. Here you go. let’s go You still have your rectangles, okay? is going to put a drop shadow on one of the rectangles so you will select one of your rectangles and you’re going to would be interesting to display call n’a haven’t been able to do that because you know that the aspect palette is still the most important one of the most important in the illustration incapable of also kalck of course then came the choice to be aspect so what we’re going to do here is which we’re going to add to this rectangle… that is selected have been added to a drop shadow effect so effect menu special shadow cast notice to the passage that in the effect menu you have the menu which is divided into two sets indicated one has the typical effects of the illustrator and underneath we have the photoshop effects that can be also applied so here it’s effect special have postponed I check the box glimpse we see that the shadow is coming so at the level of the city in general we says 40% is good, so I’m putting in 40%. tab key unlike photoshop, which you don’t have the red hair that allows you to deciding on the language of light is a somewhat less intuitive I’m going to increase the offset on x here. clashes on y here then xy xc the oriental of course good you have without doubt saw that in math class or elsewhere in economics or what xc the horizontal is what we call abscissae and y it’s the vertical barely have their data and in illustrating the the origin of the rules is at the top at On the left side of the document we didn’t display the rules, but if we’re the posters and you’d see that, and then when we tells you a positive offset on x that means that you shift that value there to the right when we say a positive shift on i looks like it means we’re heading towards the low is what you see here when you increases it goes down because the Rules are on the top left. Okay. the attenuation is the blur but at the shadow of course following this cover and don’t forget not that it’s super accurate if one of you also not suitable for you can type 1.5 the whole population if that’s okay with you. still not at 55 esterra so there’s no No limit to the accuracy of this. can go far enough. Here we are at the hundredth of a millimeter made at level 1 in hockey tuning and therefore the shadow cast on this object apart from her… in the aspect palette because this object is selected and if we see it being modified we has to get involved with the word con your doors and you could just do a test what happens if I put the shadow cast only on the contour just move unreported in contour and elite for on the good outline in this case it’s not great it would have to be modified to be the smaller you can make it look like what there is contour and thickness here I’m going to bring out the shadow of the and puts it mainly around the object to which might have just recorded document can never be too careful then technically it is possible to export an illustrator document to the photoshop format and that all cases that falsely illustrate that this is being turned into a few touch-ups but you have the layers in the offset palette than from the illustrator layer window menu if you put different objects on different layers now you’re going to be able to make exported exported under what under photoshop with this must be for the continued Yes, it’s in the box below, and… writing the layers here you are could actually do this job from the shadows range of special effects from material to to focus on vectorial objects on the do in fault to people why not it can be an approach and others to manage the drop shadows and materials and all that. in illustrator so here’s the end of the parenthesis, I’ll tell you what I’ll do. says that technically it’s possible to retrieve all strathearn calculations years as a few shocking photos of 1 photoshop files Okay, then maybe we’ll do something else here. m to show you a little bit of the power of the story m on the background of the object so it is selected you activate the funds on the subject may be a small textures then effect there is full of textures that we can put on I want. say, but let’s see a little bit of noise yes maybe artistic effects grain photo it’s going to give the material to the object. and would then have then there’s a big window that opened up so you can see it. the gallery of effects that allow to quickly review the effects on is going to say that that’s what this is all about anyway. the game one is still the same one. that I want I’m still the one I want. put on the object I knew in advance the one I wanted to wear because it can be used to explore this gallery effects and here I will modify the amount of grain here and not a lot more to do, okay, tell me. All right, okay, and here’s what I got. that there’s a lot of grain on the background if I modify of course I open the gtx bottom. to the photo grain with modify it to principle it will open it’s a big computer here that I’m do not have an extremely powerful state of 2013, so there’s still those six. years in sight so can’t accuse me to use a powerful computer that this what’s it worth to you to use yourself normally you’re faster with your computers so see, this is a solution for bring matter out of life and into misrata our solution is to export everything illustration in photoshop without even write down the layers all the illustration in photoshop and in photoshop to apply a grainy effect to apply a reinforcing effect contrasting emphasis illustration That’s a secret with illustrator. is that you have a lot of illustrative illustrations that have been reworked in photoshop at the level colours, contrasts and so I don’t know if I’m going to don’t remember too much so I’m going to illustrator about illustrators why find out why we can’t find not there the welcome photo unfortunately here but often in welcome photos of the illustrators you have an illustration she looks super nice to you she’s got has been retouched in photoshop it’s not just done with illustrator all right then all this can be stored in a palette called styles graphs and it will allow to reapplying those same things to other objects in this document or in other documents the graphics palette will store this for all the following documents also we will do this, you’ll see, so we can continuing with this is a species of the zinnia palette aspect is a species of the graphic-style sinn m we’re gonna go make a graphical style window make the palette of the six graphs will appear intel is coming up next to lanvallay detached to understand this is so your object is selected antique annoyances on the leaves blog and you’re going to be able to create a style graph There you go. There you go. That shows you. ensuring a century, but it doesn’t matter you see we’re getting our grain back here and the shadows so that if I select another object and that I select it applies the graphic style I applied this is the grain and the shadow ok so graphic style Here’s how we can apply it to them. on several objects at once, it’s not a problem it works so the les shadows like this, special effects like this. can very quickly slow down enormously the computer so the solution is to render the calculation special effects are temporarily less greedy and for this goes in the effect menu pixelation effect settings of the document then you will see that right now it’s gonna be pretty obvious if I wants to reduce the resolution of the effects I increase them to 150 how much faster is this gonna go Twice everyone agrees 4 x 300 pixels per inch is called inches linear, therefore a line in the occupant the dimensions of a virus 54 cm 1 inches but on the surface it’s been four years – if I go to 72 I’m gonna I am about 16 points behind – in terms of calculation. necessary, and I could even here indicated other has increased to 36 64 3 – you if I calculate correctly here’s okay and here’s what’s what we see, but the grain is a a little rotten the shadows are rotten, but… It’s totally workable. We’re on our way. working in software is frankly for illustrations more complete than this will this will help there’s another way if you want work with very complex files and it can also be done in photoshop, it’s been split the illustration into several sub elements, i.e. this could be in a file and gelin doors in an illustrator document you can import an illustrator document into a document illustrator that’s going to be good for you help make things very complex We’ll see about that a little further on, I think. because right now I have others… things to show you here the black arrow when you pass click on an object any is what you see that everyone else pass de vienna affadi this is a system called the isolation mode it means we isolate the object on which we double-click and work on him alone and the others are inaccessible very useful that you have a lot of overlapping objects you’re going to double click on the object and work only on wii without the others activate themselves and it is because you want passed in isolation mode you have a breadcrumb a breden skull how is it that we call it the web, too, finally find is the little thumb that left little caillou un fil d’ariane in French je think of it as how we say who allows you to go up one level you can’t get. are working on the rectangle you can go up to the level of the calq or even out of the word insulation yes if we go to the cac normally anything on the layer becomes accessible it is the case he’s only one call away at the moment. It doesn’t make sense so with the fesci if you’re out of isolation mode, so the word “isolation” is something that beginners activate by mistake because they double as it jeans the object. here’s probably insulation and 6.6 has even Not what it is. They’re clueless. We can… deactivate it switching it to the insulation with the double optics can to be deactivated so we’re gonna do it here we go to the menu and illustrator preference since we are on a high no on a pc would have been preferences edition and you go to the preferences general and you have if these have unchecked double click to isolate when you uncheck it, it’s not okay. operate by double-clicking on the objects that don’t pass the word insulation but you still have the ability to select the object of right-click and ask isolate the selected trace when it sign one can also isolate a group isolated plot selected here is but there’s no problem we’re not going to do mistakenly you’re about to see class have all made symmetry we’ll need to isolate the group for a while, that’s why that this is this interesting to more than one As a title to tell you about the insulation system then level the stacking of the objects you have here to stack your rectangles… the order document bassel the order of creation of the objects is obviously All right, the stacking order is the order of creation we’re going to manipulate a can the objects in the palette of layers and we will also see a system to transfer objects from a layer to the other easily and also for the paste into another document by respecting the chocks you are about to see so you’re going to understand things very very interesting seen here really the illustrator’s beaba if you control its share afterwards it will be simpler ok then when you select a object you have the possibility to send it quickly to the back object background layout this is the rectangle there went completely to the back or vice versa this object which is selected change it to foreground objects layout first plan he’s completely in the foreground in the stack of objects you see that we also have the opportunity to do so… go down a level if you want to, but this is getting a little more chippy it’s a old way of doing things in illustrator it’s an old-fashioned way of register wrongly and so here it is ah yes you may have noticed I’ve been subjected rear arrangement we expected what they’re going down below this rectangle 6 except that he went down in under one of the stars affect the stars are certainly in between we’re going to see them in a palace of the layers in the stack you’ve seen if I pass this one on to the first plan to the predispositions foreground it is at the forefront I decide to take it down a notch, but he’s gonna go down under the canvases there and we’re gonna feels like he didn’t come down. and where it should force backward arrangement here we go again to rear arrangement to new objects arranged backwards and now he’s going to get behind the little rectangle that were there you saw him is the voice a little bit the logic it is. really the order in which objects are created but be careful if you have created objects all over the document here’s Well, I would advise you to use only the foreground functions and background do not use in front in backwards to forwards to backwards was right in the range of kalck m so go ahead and flag them both. deploy the policy content with you just take the line that is about the object and you are the mount or the descent and depending on what you want to do it will be a lot more intuitive and easy we haven’t always been able to do that in the ultra torso and it doesn’t always have existed without decals so what are we going to do here since you guys see that we’d be better off using layers and rectangles with only on the layer and the stars only on the qualifier we can multiply the chocks as you want don’t eat bread when we’re going to do it here. is that we’re going to create a new layer by clicking on globe twice here in down there you got a couple of the 2 who are there vectors of the objects which will be alone some of them will appear in red on can change that, but here’s every calka in his thoughtful way of vectors the layers the objects that are on which fifteen of their sectors appear blue like this if you have a convention such as alcatel color you can just by clicking on the object know hold it belongs and to modify the color of the objects by double-clicking on the right here on the layer the color of the vectors I mean the color of vectors with which the objects appear by double-clicking on the right of the callus we have here the the possibility to choose from a wide range of a list or even create your own vector color but here it doesn’t matter I was just explaining why the layer of has a red line here, so we’re gonna transfer both stars to the case that two of you know how we’re gonna do it. you’ve got the cunning ones who have the cunning ones already know illustrator is the same thing in indesign transfer the super easy to copy each other’s objects so I include the two stars with the black arrow, even if only partially here they both are. selected, as can be seen in the kalck does not indicate on this layer there are to selected but not all objects they’re not all selected because if they were all selected that would come in bigger to indicate all the kite objects on selected if I open here and I see it’s two stars. that are selected okay no matter what. I don’t have to open the door for the check it out, I’ll know if I want sweating on the other case I’m taking. because and I’m transferring to the other quiet and Here they are, they’re part of the other kalt. and their vectors are red for indicate that it is part of your helmet Well, I want seats and a star for one to one obviously it’s a simple day e khalq je I’ll move underneath it. There you go. enormously changes there is that star here that there is a death made of transparency this one doesn’t have any so It’s got to do that. Okay, that’s good, if… I want to be modified the amp the order. objects are made that way by against if I want to select an object to work on him I’ve only got the one that’s selected I want to work on the one now if I do this the Photoshop way. It’s not working, I have to use the puck here here and I get to select that object there for it apply and drain the facts of course you can use poster black explained on the objects in the work plan for the selected but if you will see selected by the pallet of kalck separates the rounds and the six that we’re going to have to do it never mind what’s highlighted here, what’s this that counts for selection, that’s it. so agree for the other calq for select objects by the small washers that’s how you do it ak capital key think I’ve seen several so look at something here I selects one of the objects that is the highest on layer 1 I is gonna run it into the background to establish it above water in using layout objects background here he went into underneath I’m going to make the top pass over object layout foreground it is passed over in the layer leaf la background function in the foreground is where he didn’t go to the above the two stars because they are on another case of agreement so we’re going to grow the thumbnails in the wedge pallet because it’s a a little rotten that we’re going to do them at the way it shocks you, so you’re gonna in the tapas menu the decals and you go to the options line of panels and here you will choose row size other 80 I think that this is the maximum Okay, and you’ve got some vignettes a little as in photoshop a little bit bigger it’ll be nicer to see what you’re doing see why the objects so you select all the objects of the illustration therefore two solutions I click on the puck here in front of the calq 2 and axa capital key I click also the washer of the calq tout is selected or I do how you have commented on the edition all selected all and copy all is selected all is selected not copy all is selected then we’re just going to copy just menu edit copy or man knows how these checks at voilà and we’re gonna create another document for them, so… you keep that document open, and we’ll suppose we’re going to go to a new document that the rooms you make a new print-type document here we go with a4 format this time if I’m not going to find myself but why can’t it be something else thing here Here, I’m gonna go vertical on fb. so that the colours do not fade when I’m going to know voilà voilà created voilà so here are new documents with a empty layer then what happens when you paste edition pasted as you want to control v these are the objects arrive in the middle of a window made still one, so if I zoom in a little bit more… so that editions that the cancelled g’s I’ve got. zoomed plus pasted edition here they are arrived a little more on their work so what do you mark on the layer level they’ve all been put on the same calm in the middle of that I had objects on different layers them in what I explains to you there are people who use illustrator often more than they do don’t know that there is also this function that also exist in indesign very very interesting the possibility when pasting from a document to another to put the objects directly on the right layers where it was in the original document or even even create the layers if necessary if the layers do not yet exist in the document in which we paste I have some. lu edition is lousy and then here it is again so I’m before the gluing and in the menu here you have an option here that is called collet retains layers if you turn it on here when we come in. in reactivated in front it is switched on. normally it will even create the layer so I’m trying collar. Here we go. the summer layer created because at Originally there was a layer two. deeds and stars on it so here we have managed to transfer while retaining the calculations Well, then, here we’re going to do a piece on the layer that would contain the rectangles so you have to activate the callus for indicate that we’re going to put the object in this calculation just take the creation tool lips and I’m going to create an ellipse right next door here, so it’s not so… simple as it looks when you simply click of course you have the choice of the dimension I’m not gonna do it like this. I read I… is going to do it manually. I start to cremona ellipses I trace I want her to be perfectly circulars capital key I want the secret object over there where I started to click and hit alt in more super interesting I’m dropping the button smiled and here’s the object in it. so uppercase to make squares with the rectangle tool to make circles with the lips tool alt key so that it’s created by where I have started to apply okay so we got the circle that got it right Well, then, I’ll change the color. of the three cost rectangles does that. so it’ll be easier for me to get them then select the following from the palette y walls and windows color chart I’m going go and apply a color to them that I will create new nuances and degraded we’ll see some time it’s not that obvious that overall I was on what ah yes I was on the bottom line is what was needed Here, I changed the background color. Rectangles. Good. Okay, I’m gonna… select the entire contents of the layer voucher we can’t do how you got because it will also select the stars on the side if I do how 1 editions all select stars are also selected unless you have locked the star layer Of course that’s what you do. how you’ve only selected that which is safe layers unlocked to select our entire layers also other solutions even without locking the little target here and its seleccion the entire content every objects the square and large trustee all is selected on the layer so see something weird in the callus. which if there are thumbnails that are targets that are grey and a which is not why what is the difference I’ll tell you if I’m going to see the hour stars there’s one that’s gray from the other not haha why not then not then I tell you when a small, gray target there it means that we’ve done things by more in the range of aspects in addition to the basic appearance a background and an outline We saw special effects on top of that. tells you holds this object there things in addition to what’s going on at level of the aspect palette when the Target is gray. I was seeing a lot. more in the asset version of the illustrator is way too much I find it too subtle to fit this anymore. may depend on the interface that we choose here maybe with this interface here it sees himself as unknown and yes, even so for the projection I take the interface sharper all right, then. it proposes to you to make seven groups and the rectangles there, yeah, we said we’d select the whole person with the target there and we’re going to groups and related objects when we open we have a band and in the Group we have the items, that’s handy. it means I click on any which one of us is going to do it all right. very interesting always with the arrow white by clicking next to nothing the selected if I go on one of the objects I can modify access points or 1 these vectors we didn’t see with the white arrow if I go to the vector I can move van hulle, all right. between two points if I want places is perfectly horizontal touch capitalization while I move here. and then that’s when the white arrow more will serve you right when you have a group it is used to select an object completely despite that he’s in a group nothing is selected I click next to it nothing is selected with the white arrow the more I get to select this object here’s the one where this one is very interesting that being is what we call the progressive direct selection tool because when you have groups of groups with hierarchies of no a group that is grouped with another group as this object you’re going to click it will go up in energy obviously all selected, but we’re not going to go as far as right now already it’s very interesting to know how that Works. This is really helpful. there’s everything you need to make the things easily in the jumpers one or rest do that with the black arrow of select the entire group and the copy edit copy and then you go to the other document first and you’re going to stick since we’re has the option here in the policy al that the call option and according to the layers that is on The collar is about calm. Yes, it is. was called collar according to the layers. before comes as she is engaged sarah went directly to the Layer bank when I paste edition glued this is the calculation with the same name lee ok group and also the three rectangles original here associated objects or how I-I-I’ve got a band, of course, here we go. you have two groups in the quiet that’s how you’re going to get to managing the illustrations is what it’s all about. not go completely crazy said in fact all right, then. the sites I start what place on my work plan is this that I’m limited to the 4 not at all if you’re being asked to mail to 3 made us do an a3 format of illustrator you’re starting to do your illustration for a while you don’t have that class anymore that what needs to be done and what needs to be done select all is resized especially not the special effects will maybe they’ll change that. they’re not gonna be the same. no, what you need to do is grow up. go beyond the a3 format and in indesign you’re going to refocus all this. in a3 format so who cares about the format foodstuffs illustrator except that it has to be a little bit standard at the outset I explained to you why the tools work normally, so I’ll take the tool here. worktop I take the handle, I enlarge it’s… more team like that to have the whole my illustration on a format that is of 338 out of 210, well, we got two… clearly groups so what follows you can just watch and remember that this works that way because we’ll have need the next one, okay, so I’m gonna make a triangle the triangle I make with that the hexagon the polygon during that I work I’m reducing the number of side I have a triangle voice there are some who do not don’t know that there are some who aim illustrator for years to make a Cerpam triangle, so that’s interesting. Okay, so here’s the triangle. I want him in the group here, eh? Well, I have to move it and drop it off. in the group akka palais d kalck on could also group and regroup its beginner’s sense of smell that grows to me, which is basic is the whole world might have found that I want to do an object that arrives directly into a group how to do in an idea I think meant I wanted life to be all right. actually where he came in that hole… gaping made but in this group I is going to put them next to these objects He’s part of that group, actually. It’s clear, so you want me to. make a direct hit in that group there for select the band like this and we do an object like that, it’s not in there. I got to move in. Screwed up people. void Oh, yeah, it’s not obvious. No idea. come on if you maybe have an idea how to make something happen directly in the group remember what we had everything to… time right click isolate all other illustration become crazy we can’t more work on them when I do a object it is directly in the group here’s a new object is directly in the band I’m going out of the world insulation he’s in the group so selected the group like this not like That’s the same, who cares? That’s the same. by the selected cilicia group right-click to isolate the selected group I’m going to put some things on here, I’m going to put some things on here. As much as I want I have. Here they are. everyone in the group I’m leaving the group with the breadcrumbs that are in the you’ll find it’ll be super useful here. next time when you’re going to draw symmetrically if you don’t know this trick, it’s gonna be hell.